Bringing woman filmmakers from archives to screens
INVISIBLE WOMEN PRESENT
Stronger Than Love:
¡Too Much Mexican Melodrama!
A touring season of Mexican melodrama that revels in heightened emotions, lush visuals, and unruly passions, celebrating women’s voices both on screen and behind the camera.

Stronger Than Love: ¡Too Much Mexican Melodrama! celebrates the lavish, emotionally charged world of 1930s–50s Mexican cinema with four restored classics that put women’s stories front and centre. From tempestuous romances to daring acts of defiance, these films showcase melodrama as a space where female desire, ambition, and artistry take the spotlight.
Often referred to as “women’s pictures” because of their emotional intensity, complex heroines and dedicated female fans, melodramas were also often a site for groundbreaking work from women filmmakers. From the charisma and creativity of stars such as Miroslava and Ninón Sevilla, to the innovative editing of Gloria Schoemann and the groundbreaking direction of Adela Sequeyro and Matilde Landeta, these classics showcase women’s artistry during a period when the Mexican film industry was at the height of its powers. Stronger Than Love: ¡Too Much Mexican Melodrama! reframes the melodrama as a subversive feminist space of passion and defiance, exemplifying the genre’s power to provoke, seduce and overwhelm.
Join us to rediscover these forgotten classics, experience the brilliance of Mexico’s Golden Age, and witness women claiming the screen like never before.
FILMS & 2025 TOUR DATES
More dates and on-sales links to follow!
La Mujer de Nadie (Nobody's Wife, 1937)
(Adela Sequeyro, 1h22min)
This bold melodrama marks the first sound film in Mexico directed by a woman. Adela Sequeyro writes, directs, and stars as Ana María, who flees her oppressive hacienda for a bohemian life of romance and intrigue. With wit, style, and daring, she reclaims her freedom, ensuring Nobody’s Wife remains a pioneering tale of female autonomy on screen.
Pictureville, Bradford: 8 November

Filmoteca UNAM
Trotacalles (Streetwalker, 1951)
(Matilde Landeta, 1h41min)
This gripping melodrama follows two sisters whose lives diverge; Maria (Miroslava Stern) into privilege, Elena (Elda Peralta) into the city’s underworld, before colliding in a storm of passion, envy and betrayal. Here trailblazing director Matilde Landeta turns to the harsh realities of prostitution and power, crafting a daring critique of gender and class in Golden Age Mexican cinema.
Filmhouse, Edinburgh: 25 November

Filmoteca UNAM
Víctimas del Pecado (Victims of Sin, 1951)
(Emilio Fernández, 1h30min)
This electrifying rumbera classic stars Ninón Sevilla as Violeta, a cabaret dancer whose act of compassion entangles her in a violent gangster’s revenge. Swept between danger, sacrifice, and the lure of redemption, her story unfolds in a world where noir grit collides with musical splendour. A titilating showcase for Sevilla, it also highlights the artistry of editor Gloria Schoemann, a driving force of Mexico’s Golden Age cinema.
Tyneside Cinema, Newcastle: 24 November
Filmhouse, Edinburgh: 28 November
Rio Cinema, London: 10 December

Permanencia Voluntaria
Film Noir UK
Más Fuerte que el Amor (Stronger Than Love, 1955)
(Tulio Demicheli, 1h30min)
This intoxicating melodrama stars Miroslava Stern as Barbara, a wealthy industrialist’s daughter whose desire for Carlos (Jorge Mistral), a former worker turned business partner, defies social codes and patriarchal control. With torrential storms, moonlit beaches and sweeping Cuban backdrops, Stronger than Love ignites with passion, situating female lust and agency at the heart of its fiery drama.
Screenings of this title include specially commissioned descriptive subtitles suitable for D/deaf and hard of hearing audiences, provided by Matchbox Cineclub.
Filmhouse, Edinburgh: 2 December
Rio Cinema, London: 17 December

Permanencia Voluntaria
Stronger Than Love ¡Too Much Mexican Melodrama! is delivered with the support of BFI FAN, awarding funds from The National Lottery.
With special thanks to Viviana García Besné, Filmoteca UNAM and Film Noir UK.